January 17, 2026
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Which K-Drama is Most Watched? The Answer Isn't Simple

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You typed "which K-drama is most watched?" into Google expecting a simple answer. Maybe one title. Sorry to disappoint, but the real answer is a lot more interesting than that. It's not one drama. It's a handful, depending on what ruler you use to measure. Are we talking about people sitting in front of their TVs in Korea on a Wednesday night? Or someone bingeing on Netflix in Brazil over a weekend? The champion changes completely.

Let's be real. If you only look at traditional TV ratings, the crown sits firmly on one drama's head. But if you look at the global, streaming-dominated world we live in now, a different, spiky-haired champion in a green tracksuit has blown everyone else out of the water. This isn't just about picking a winner. It's about understanding the three completely different races these shows are running in.

The Traditional TV King: "Crash Landing on You" and the Nielsen Rating System

For decades, this was the only game in town. In South Korea, the question "which K-drama is most watched?" was answered by a single number: the Nielsen Korea rating. It's a percentage, representing the portion of households with TVs tuned into a specific program during its live broadcast.

The undisputed modern champion here is "Crash Landing on You" (2019-2020). Its final episode scored a nationwide rating of 21.7%. That's huge. For context, most successful prime-time dramas aim for the 8-12% range. "Crash Landing on You" didn't just win its time slot; it became a national event. People scheduled their evenings around it.

Why this matters: A high Nielsen rating directly translates to advertising revenue, star power, and cultural relevance within Korea. It's a measure of real-time, appointment viewing. Shows like "Mr. Sunshine" (18.1% finale), "Sky Castle" (23.8% – a cable record holder for years), and "Goblin" (18.7% finale) are all part of this elite club. They dominated the conversation in Korea during their run.

But here's the catch newcomers often miss. You can't directly compare a rating from a cable channel (like tvN, which aired "Crash Landing on You") with one from a public broadcaster (like KBS). Cable channels are paid subscriptions, so their potential audience is smaller from the start. A 12% rating on tvN is a monumental hit. A 12% rating on KBS might be considered just okay. It's like comparing a sold-out indie concert to a half-full stadium.

The Streaming Juggernaut: "Squid Game" and the Era of Viewership Hours

Then Netflix happened. And it changed the question entirely. Netflix doesn't use Nielsen ratings. It uses metrics like "hours viewed in the first 28 days." This measures global, asynchronous binge-watching, not live national viewership.

Enter "Squid Game" (2021). According to Netflix (and they're the only source for this data), it amassed a staggering 1.65 billion hours of viewing in its first 28 days. Let that number sink in. It became the platform's most-watched show ever at the time, in any language.

The scale is incomparable to traditional ratings. "Squid Game" wasn't just watched in Korea; it was watched in homes from Ohio to Osaka. It created memes, Halloween costumes, and a global cultural moment. By the "most eyes on screens" definition, it's the heavyweight champion.

A Word of Caution: Netflix's data is self-reported and opaque. We don't know how many unique viewers that translates to (one person rewatching counts the same as ten new people watching). We also can't verify it independently. But even with a margin of error, the gap between "Squid Game" and any pre-streaming-era drama is so vast that the conclusion is clear.

The New Contenders in the Streaming Ring

"Squid Game" opened the floodgates. Other K-dramas have posted massive Netflix numbers since, though none have dethroned it yet:

  • "The Glory" (2022-2023): Part 1 racked up over 124 million hours in its first three days. It showcased the power of a tightly-plotted, revenge-driven story with A-list star Song Hye-kyo.
  • "Extraordinary Attorney Woo" (2022): A surprise hit that dominated Netflix's non-English top 10 for weeks, proving that warm, character-driven stories have massive global appeal.
  • "All of Us Are Dead" (2022): Another genre hit, proving the global appetite for Korean takes on zombies and survival horror.

The game is no longer about capturing a nation at 10 p.m. on Wednesday. It's about capturing the world's attention anytime, anywhere.

Head-to-Head: How the Contenders Stack Up

Let's put them side-by-side. This table shows why there's no single answer.

Drama Broadcast/Platform Key Metric & Number What This "Win" Means
Crash Landing on You (2019-20) tvN (Cable) & Netflix Nielsen Rating: 21.7% (Finale) Peak of traditional, live TV dominance in Korea. A cultural reset for romantic K-dramas.
Squid Game (2021) Netflix (Original) 1.65 Billion Hours (First 28 Days) Unprecedented global streaming phenomenon. Redefined the potential reach of a Korean show.
Sky Castle (2018-19) JTBC (Cable) Nielsen Rating: 23.8% (Finale) Held the record for highest-rated cable drama for years. A dark social satire that gripped the nation.
Goblin (2016-17) tvN (Cable) Nielsen Rating: 18.7% (Finale) A trendsetter in production quality and fantasy romance. Its OST and visuals are still iconic.
The Glory (2022-23) Netflix (Original) 124M+ Hours (First 3 Days, Part 1) Proved the sustainability of the Netflix K-drama model post-Squid Game with a stark, mature story.

See the problem? You're comparing a percentage of Korean households at a specific moment to billions of hours of global consumption over a month. They're both valid, but they measure different things.

"Asking which K-drama is most watched is like asking which is the best vehicle: a champion race car or a container ship that circles the globe. It depends entirely on the track."

Beyond the Numbers: What Makes a K-Drama "Most Watched" in the Global Sense?

If we step back from pure stats, "most watched" can also mean "most impactful" or "most culturally pervasive." Some dramas achieve a longevity that raw numbers don't fully capture.

Take "Goblin." Its initial ratings were fantastic, but its real power is in its endless afterlife on streaming platforms. It's a perennial recommendation for new K-drama fans. Scenes are constantly re-shared on social media. Its influence on cinematography and soundtrack in subsequent dramas is massive. In terms of cumulative views over years, it might be a stealth contender.

Or consider "Boys Over Flowers" (2009). Its ratings were good, but not record-breaking. Yet, ask any seasoned K-drama fan from Asia to Latin America about their first drama, and this one comes up constantly. It was a gateway drug for an entire generation. Its "watch count" across illegal streaming sites, YouTube clips, and DVD box sets in the pre-Netflix era is incalculable but undoubtedly enormous.

This is the third layer to the question. It's not just live TV ratings or first-month streaming hours. It's about embedding itself in the global pop culture consciousness for the long haul.

Your Burning Questions Answered (FAQ)

Straight Talk on K-Drama Ratings

Why is Squid Game's 'most watched' claim sometimes disputed?

It boils down to comparing different scoring systems. Squid Game's record is in total hours viewed on a global streaming platform. Traditionalists focused on the Korean market look at Nielsen ratings—a percentage of households watching a live broadcast. They're both right in their own arenas. Disputes happen when people mistakenly try to directly compare the 21.7% rating of Crash Landing on You to Squid Game's 1.65 billion hours. You can't. One measures concentrated national popularity at a specific time, the other measures sprawling global consumption over weeks.

How can I find reliable, current ratings for ongoing K-dramas?

For real-time TV ratings in Korea, Nielsen Korea is the official source. Reputable English-language K-entertainment news sites like Soompi or Korea JoongAng Daily publish daily and weekly roundups. Crucially, always note the network. A 10% rating on cable (tvN, JTBC) is a roaring success, while the same number on a public channel (KBS) might be mediocre. Context is everything.

What's the difference between a cable and a public broadcaster rating, and why does it matter?

It's the single biggest point of confusion. Public broadcasters (KBS, SBS, MBC) are free-to-air and available in virtually every Korean home. Their potential audience is "all households." Cable channels (tvN, JTBC) are paid subscriptions, so their potential audience is smaller from the get-go. A 12% rating on cable often means a larger share of its available audience is watching compared to a 20% rating on public TV. Ignoring this is like comparing a sold-out theater to a half-full football stadium and declaring the theater more popular.

Will any future K-drama beat Squid Game's global streaming numbers?

Almost certainly, but the path is tricky. Squid Game was a perfect storm: a unique, high-concept hook, word-of-mouth virality, and a pandemic-altered viewing landscape. To beat it, a show needs to transcend the core K-drama fandom and achieve true mainstream global appeal. The contender might not even look like a traditional romance or melodrama. It could be a genre-defying sci-fi epic or a thriller with unprecedented star power. Also, Netflix's metrics might shift, emphasizing "completion rate" or "new subscriber attraction" over raw hours. The record will fall, but the goalposts are always moving.

So, which K-drama is most watched?

If you want the king of traditional Korean TV ratings, look to "Crash Landing on You" and the elite club around it. If you want the undisputed global streaming champion by volume, it's "Squid Game." And if you're talking about a drama that has been continuously discovered and loved across borders for years, names like "Goblin" enter the conversation.

The beauty is there's no single answer. It means the industry is thriving on multiple fronts, creating shows that can dominate a national Wednesday night and others that can stop the scrolling of millions worldwide over a weekend. The next time you hear a claim about a "most watched" drama, the first question should be: "Most watched by whose measure?" Now you know how to find the real story behind the headline.